 |
| Travis Stuebing as Ellson and Tashina Richardson as Samantha in RASPBERRY FIZZ |
Sep 26, 2013
RASPBERRY FIZZ to play at Houston Fringe Festival
Sep 12, 2013
Barista drawing in France
My quick little sketchbook drawing of a barista at NYC's Cafe Grumpy popped up on Imagixs, a French site of free downloadable coloring pages for kids. It is in the "Images of Coffee" page. Sure, they are using it without my permission, but I think it is kinda neat. And my artwork has gone international. Check it out HERE.
Sep 11, 2013
Sep 9, 2013
CHOP returns... At SoloMania! Festival in New Orleans
I am not sure which exact dates and times I'm down for just yet, but I wanted to start to get the word out there about SoloMania! As you'll see in the press release below, it is a mini-fringe fest organized by some kick-ass solo performers in New Orleans. I am thrilled and humbled I was invited to join in (I'm one of just three or four out-of-towners). I mean, look at the list below of the awesome artists in this thing (I mean, Bremner Duthie! That dude is a class act!).
I'm taking my weird, heart-breaking and hilarious solo show CHOP, which I'm totally excited to come back to after more than a year away from it.
Visit the website for more SoloMania! info, and I'm sure I'll be updating about it as it gets closer.
SOLOMANIA! FESTIVAL OFFERS A MENU OF SOLO PERFORMANCES
The first two weekends in November, the Shadowbox Theatre will host the SoloMania
Festival (www.solomaniafest.com). SoloMania! offers New Orleans theater lovers a menu of solo performances, showcasing the diversity of perspectives and solo techniques currently enlivening New Orleans stages. The solo shows reflect a range of sensibilities, including performances for latenight, adult, and child audiences. SoloMania! promotes experimentation and risk among writers, solo performers, and directors. It supports the development and presentation of new one-woman, one-man, one-person shows. SoloMania! will present these performers in back-to-back solo shows in a variety of styles: including comedy, drama, puppetry, cabaret, monologue, storytelling, burlesque, and inter-media.
Earlier this year, several New Orleans performers got together and agreed to share the
expense of producing a mini-fest themselves. The line-up includes Bremner Fletcher Duthie,
Veronica Russell, Frederick Mead, Harry Mayronne, Diana Shortez, Karen Shields, Jennifer Pagan, Amy Woodruff, Enzo Lombard, Brady McKellar, Claudia Baumgarten, Brad McEntire, and Casey Groves. Collectively, these performers have garnered a dazzling array of awards and international credits. More than performers, they are also writers, directors, musicians, drama teachers, puppeteers, and costume designers.
WHAT: SoloMania Festival, 8 days of back-to-back solo shows.
WHEN: Saturday Nov 2 through Sunday Nov 10. (Note: Dark on Monday Nov 4)
Detailed schedule will be available in the SoloMania! Festival Guide in many local businesses.
WHERE: Shadowbox Theatre
2400 St. Claude Ave, at St Roch in the Marigny.
Parking, accessible bathrooms, and a bar.
COST: $10 per show (Discounted 5 show punch-cards available for $40)
Sep 7, 2013
DF380 in Dallas Morning News
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| Garett Fisbeck/The Dallas Morning News |
Thanks to Garett for getting such nice shots.
Sep 6, 2013
RASPBERRY FIZZ at 2013 Houston Fringe
I am pleased to announce that my little one-act RASPBERRY FIZZ will be at the 2013 Houston Fringe Festival next month.
RASPBERRY FIZZ is an exploration of expectations and the potentialities of the future tied up in a weird, tender and humorous coming-of-age encounter between two adolescents in 1949 small town America.
The play was last seen in Addison, Texas in March of 2012 at the Water Tower Theatre's Out of the Loop Fringe Festival. That was a well-reviewed production directed by Andy Baldwin and featured an kick-ass cast that included Shane Beeson, Natalie Young and Jeff Swearingen. I'm thrilled to take this charming little play on the road.
I am pleased to team up with two of the cats who worked on CARTER STUBBS TAKES FLIGHT in Denton last spring. RASPBERRY FIZZ will feature Travis Stuebing as Ellson, Tashina Richardson as Samantha and me as the Barker. Directed by me, Brad McEntire.
Details:
Playing...
Friday, October 4 at 8 PM, Saturday, October 5 at 9:30 PM, Sunday, October 6 at 3:30 PM
At Bohemeo's Cafe and Theatre
708 Telephone Road,
Houston, TX 77023
Tickets and more info at the Houston Fringe Festival website. Or more info HERE.
Sep 3, 2013
DF380 in TheaterJones.com
Double Dribble
Or maybe triple or quadruple. On Sept. 1, Brad McEntire will attempt six hours of solo improvisation at the Margo Jones Theatre. No, he's not crazy.
by Mark Lowry - published Saturday, August 31, 2013
Dallas — An ungodly amount of nonstop improvisation has been done before in North Texas, and although Brad McEntire isn't attempting to break any records (except his own) or a feat like his pal Jeff Swearingen managed two years ago ( * ), McEntire is nonetheless gonna go for the long-haul.
He's attempting six-plus hours of solo improv on Sunday, Sept. 1 at the Margo Jones Theatre in the Magnolia Lounge. It's called Dribble Funk 380, begins at 5 p.m., and the ticket is a suggested donation of $10. You can come and go as you please, and there will be two breaks, at the two and four hour marks.
But you're encouraged to go for the marathon. It's not like you haven't sat through almost-as-long and much less interesting performances before.
Sep 2, 2013
DF380 - A debrief
Introduction
I put together a short video address a few days before the event. In it, I explain my reasons behind attempting Dribble Funk 380.
Prologue - the day before
Day of Show - September 1st, 2013
What follows is a sort of play-by-play pulling together the timelines and threads of various social media that were posted during performance of Dribble Funk 380.
5:03 PM
Travis Stuebing on FB
6 hours of improv with Brad McEntire. Here we go. — with Brad McEntire at Dribble Funk 380.
9:14 PM
9:19 PM
Matt Tomlanovich on FB
New best line: "You make space/time machines for the government? HaHaHa Your sister's a prostitute!" — at Dribble Funk 380.
9:38 PM
10:08 PM
10:16 PM
Matt Tomlanovich on FB
Like a drowning man who sees the sky from beneath the surface of a stormy sea ,Brad McEntire senses an end to his historic adventure. But he's not out of the water yet. Luckily, the PBJs have distracted the sharks. 75 minutes and counting. — at Dribble Funk 380.
11:10 PM
Matt Tomlanovich on FB
Best line: "my son...He's on the chess team...I mean he's not a starter..." — at Dribble Funk 380.
11:17 PM
Matt Tomlanovich on FB
And so it ends. 380 minutes alone and tired. The PBJs are gone but Caligula the Musical is born. — at Dribble Funk 380.
Epilogue - What I learned...
So, I accomplished what I originally set out to do. I unfolded a completely spontaneous, created-on-the-spot story involving dozens of characters over 380 minutes (or nearly 6 1/2 hours). I am extremely proud of the resulting performance. As expected there were some lame parts, but there were also some really golden moments.
It is an accomplishment that must sink in when I tell people about it. It doesn't sound that impressive or unique until the person I'm talking to really considers it. No script, no prep, no help. A single epic narrative is spun out over nearly six and half hours by a single performer... completely making it up as he goes along! To my knowledge no other solo improviser has ever attempted anything quite like it.
The performance yielded many lessons and observations for me, nestled as I was in the eye of the storm.
2. I am out of shape. I stayed in constant movement and did a lot of running between characters on the stage and by the end I felt like I had been in an intense workout. I got winded once, after the first 10 minute break (at the 2 hour mark). It didn't last long, but I couldn't seem to catch my breath on stage for a bit. Kinda scary. Today, my legs burn!
3. My voice held out, but today, the day after, I am nearly hoarse. I created a few rather loud, abrasive characters. Only one with a gravelly voice. I was proud of my vocal range with the characters, actually, even more so that the physical characterizations.
4. The beginning was really difficult and clumbersome (exposition, man) and the ending was also difficult (I had a natural end point about 30 minutes before the time was up, so had to kind of Lord of the Rings out a few more endings). The middle couple of hours were the most fun. I caught a second wind and my energy level spiked. I switched in the middle at some point from doing a lot of character interaction work to telling long rambling character monologues. The monologues were much funnier and more dynamic than the character interactions, though they did not necessarily drive the story forward as much. I would not have found this out if I hadn't had to push through the barrier of my normal limits. After I pushed past my breaking point (about an hour and half), I was in completely new territory. The Dribble Funk passed from scary to really fun and exciting.
5. I stumbled onto a narrative structure that saved my ass and did it completely by accident. Once the main objective of the main character was put into play, I kept setting up one dilemma after another, which actually pushed the protagonist further from solving his main problem. This sort of nesting doll structure allowed me to spin the single yarn out over hours.
6. I have good friends. A lot of my close friends came and sat in to watch for a bit. There were also several people I didn't know. Local solo performer John Michael brought me a "birthday" pizza. Fellow Audacity artist Jeff Hernandez came and tweeted updates. My improv cohort Jeff Swearingen caught the final half hour. My wife and chief supporter Ruth manned the lobby while Matt Tomlanovich manned the booth. He also posted a lot of updates on FB. Without support like this, I am sure I would not have been able to pull off something like DF380. I am a lucky guy.
I put together a short video address a few days before the event. In it, I explain my reasons behind attempting Dribble Funk 380.
Prologue - the day before
5:44 PM
Brad McEntire @McEntireBrad31 AugDay before show. 6+ hrs of improv. No way to prep. Quiet anxiety attacks layered with moments of panic. #DF380
Day of Show - September 1st, 2013
What follows is a sort of play-by-play pulling together the timelines and threads of various social media that were posted during performance of Dribble Funk 380.
5:03 PM
Travis Stuebing on FB
6 hours of improv with Brad McEntire. Here we go. — with Brad McEntire at Dribble Funk 380.
 |
| Photo by Travis Stuebing. He's holding the program up in the foreground. |
5:49 PM
Matt Tomlanovich on FB
Matt Tomlanovich on FB
1st hour, 5 to by go-Brad showing no signs of exhaustion. Come and see if he makes it. — at Dribble Funk 380.
5:50 PM
6:56 PM
Matt Tomlanovich on FB
Matt Tomlanovich on FB
Hour 2, Brad beginning to sweat but that is the only sign of effort. 4+ hours left. Come see history in the making at the Margo Jones Theatre. The PBJ bar is awesome! — at Dribble Funk 380.
 |
| Photo by Matt Tomlanovich. I loved playing this big, slumpy, mumbling mobster. |
7:02 PM
Half way in towards hour 4 and Brad McEntire has created over 40 characters and has moved the action from NY to an Alien Planet to Kansas to Necropolis. Like a run-away train, he hurdles toward conclusion. Plenty of PBJ and Nuttella. 3 hours left to see history. Catch him at the finish line. — at Dribble Funk 380.
8:54 PM
Matt Tomlanovich on FB
Funnier... Like a runner hitting his stride.
9:05 PM
9:12 PM
Jeff Hernandez @thejefftweet
Currently watching Brad McEntire perform SIX HOURS of solo improv at Margo Jones Theater. I can't even stay asleep for six hours. #DF380
Currently watching Brad McEntire perform SIX HOURS of solo improv at Margo Jones Theater. I can't even stay asleep for six hours. #DF380
7:16 PM
Matt Tomlanovich on FB
Into hour 3. After a 10 minute break, refreshed and no sign of wear or tear. Brad McEntire is like some kind of Improv Terminator. Still plenty of time to see history and eat PBJs. — at Dribble Funk 380.
Matt Tomlanovich on FB
Into hour 3. After a 10 minute break, refreshed and no sign of wear or tear. Brad McEntire is like some kind of Improv Terminator. Still plenty of time to see history and eat PBJs. — at Dribble Funk 380.
7:38 PM
7:52 PM
 |
| Photo by Ruth Engel-McEntire |
8:28 PM
Matt Tomlanovich on FB
Matt Tomlanovich on FB
8:28 PM
Diane Miller on FB
I have to admit, I think just two hours is pretty impressive as it is...
8:31 PM
Matt Tomlanovich on FB
It's just getting funnier.
8:35 PM
Matt Tomlanovich on FB
Diane Miller on FB
I have to admit, I think just two hours is pretty impressive as it is...
8:31 PM
Matt Tomlanovich on FB
It's just getting funnier.
8:35 PM
Matt Tomlanovich on FB
Best line so far; "Coffee is a dead language." — at Dribble Funk 380.
8:43 PM
Brad McEntire @McEntireBrad
Had to take an early break at hour 4. About to pee pants. Gotta use restroom! #DF380
Had to take an early break at hour 4. About to pee pants. Gotta use restroom! #DF380
8:51 PM
Ruth McEntire @RuthMcEntire
McEntire is so insane and creative...silly boy had to take his second 10 min break 30 min early #DF380
McEntire is so insane and creative...silly boy had to take his second 10 min break 30 min early #DF380
8:54 PM
Matt Tomlanovich on FB
Funnier... Like a runner hitting his stride.
9:05 PM
Jeff Hernandez @thejefftweet
Brad McEntire is entering hour number four of six of his one man improv show. Aliens, and Broadway shows. Intense and funny stuff. #DF380
Brad McEntire is entering hour number four of six of his one man improv show. Aliens, and Broadway shows. Intense and funny stuff. #DF380
9:12 PM
Jeff Hernandez @thejefftweet
Four plus hours or improv leads to phrases like, "Theater is done in dingy skank holes." #DF380
Four plus hours or improv leads to phrases like, "Theater is done in dingy skank holes." #DF380
 |
| Photo by Matt Tomlanovich |
Jeff Hernandez @thejefftweet
"You're building space/ time machines for the government? HA! YOUR SISTER'S A PROSTITUTE!!" -fifth hour magic. Brad McEntire 6 hour improv.#DF380
"You're building space/ time machines for the government? HA! YOUR SISTER'S A PROSTITUTE!!" -fifth hour magic. Brad McEntire 6 hour improv.#DF380
9:19 PM
Matt Tomlanovich on FB
New best line: "You make space/time machines for the government? HaHaHa Your sister's a prostitute!" — at Dribble Funk 380.
9:23 PM
9:25 PM
Jeff Hernandez @thejefftweet
McEntire is telling a story of an alien superhero during his six hour solo improv. He's daring me to tweet. #DF380
McEntire is telling a story of an alien superhero during his six hour solo improv. He's daring me to tweet. #DF380
9:26 PM
Matt Tomlanovich on FB
Matt Tomlanovich on FB
Entering hour 5 (260 minutes down), the Alien can speak English, cornbread has become a reoccurring motif and a bus load of children have been saved. 120 minutes left. — with Brad McEntire at Dribble Funk 380.
9:38 PM
10:08 PM
Ruth McEntire @RuthMcEntire
Ninjas have joined the story,late in the evening but...better late then never... :D #DF380
Ninjas have joined the story,late in the evening but...better late then never... :D #DF380
10:16 PM
Matt Tomlanovich on FB
Like a drowning man who sees the sky from beneath the surface of a stormy sea ,Brad McEntire senses an end to his historic adventure. But he's not out of the water yet. Luckily, the PBJs have distracted the sharks. 75 minutes and counting. — at Dribble Funk 380.
11:10 PM
Matt Tomlanovich on FB
Best line: "my son...He's on the chess team...I mean he's not a starter..." — at Dribble Funk 380.
11:17 PM
Matt Tomlanovich on FB
And so it ends. 380 minutes alone and tired. The PBJs are gone but Caligula the Musical is born. — at Dribble Funk 380.
Epilogue - What I learned...
So, I accomplished what I originally set out to do. I unfolded a completely spontaneous, created-on-the-spot story involving dozens of characters over 380 minutes (or nearly 6 1/2 hours). I am extremely proud of the resulting performance. As expected there were some lame parts, but there were also some really golden moments.
It is an accomplishment that must sink in when I tell people about it. It doesn't sound that impressive or unique until the person I'm talking to really considers it. No script, no prep, no help. A single epic narrative is spun out over nearly six and half hours by a single performer... completely making it up as he goes along! To my knowledge no other solo improviser has ever attempted anything quite like it.
The performance yielded many lessons and observations for me, nestled as I was in the eye of the storm.
 |
| Photo by Ruth Engel-McEntire
1. A Sunday afternoon at the end of the summer on a Holiday weekend is a difficult time to get audience members out to see anything, let alone a long-ass solo improv. I had at most 9 people in the audience at one point and as little as three at another. The audience was allowed to come and go as they pleased and partake of the peanut butter and jelly sandwich bar in the lobby. Still, I would have liked to have had more audience members. One guy, who left and came back commented after the show that it was too bad more people didn't come out to see it. I agree. It was also my own damn fault. Since I was so nervous about the whole thing, I pretty much dragged my feet the first two weeks after announcing it (leaving myself an out). Better marketing could have yielded better numbers in the audience.
|
2. I am out of shape. I stayed in constant movement and did a lot of running between characters on the stage and by the end I felt like I had been in an intense workout. I got winded once, after the first 10 minute break (at the 2 hour mark). It didn't last long, but I couldn't seem to catch my breath on stage for a bit. Kinda scary. Today, my legs burn!
3. My voice held out, but today, the day after, I am nearly hoarse. I created a few rather loud, abrasive characters. Only one with a gravelly voice. I was proud of my vocal range with the characters, actually, even more so that the physical characterizations.
4. The beginning was really difficult and clumbersome (exposition, man) and the ending was also difficult (I had a natural end point about 30 minutes before the time was up, so had to kind of Lord of the Rings out a few more endings). The middle couple of hours were the most fun. I caught a second wind and my energy level spiked. I switched in the middle at some point from doing a lot of character interaction work to telling long rambling character monologues. The monologues were much funnier and more dynamic than the character interactions, though they did not necessarily drive the story forward as much. I would not have found this out if I hadn't had to push through the barrier of my normal limits. After I pushed past my breaking point (about an hour and half), I was in completely new territory. The Dribble Funk passed from scary to really fun and exciting.
5. I stumbled onto a narrative structure that saved my ass and did it completely by accident. Once the main objective of the main character was put into play, I kept setting up one dilemma after another, which actually pushed the protagonist further from solving his main problem. This sort of nesting doll structure allowed me to spin the single yarn out over hours.
6. I have good friends. A lot of my close friends came and sat in to watch for a bit. There were also several people I didn't know. Local solo performer John Michael brought me a "birthday" pizza. Fellow Audacity artist Jeff Hernandez came and tweeted updates. My improv cohort Jeff Swearingen caught the final half hour. My wife and chief supporter Ruth manned the lobby while Matt Tomlanovich manned the booth. He also posted a lot of updates on FB. Without support like this, I am sure I would not have been able to pull off something like DF380. I am a lucky guy.
DF380... is complete
 |
| #DF380 in performance. Pic by Matt Tomlanovich. |
A few hours ago, I finished performing 380 minutes (six hours and 20 minutes total) of solo improvisation. It was awesome and exciting and nerve-wracking and exhausting. It happened.
I pit myself against myself, against the void, against the stage and I came out the other side. I constructed a nesting doll of narrative that ranged from another solar system to Kansas corn fields to secret military complexes to NYC's Broadway to the fictional/satirical "Necropolis, the City of the Dead." Dozens of characters sprang forth. By the end, with only five people left in the audience, I was brain drained and woozy, but still on my feet. It happened.
I created 380 minutes of spontaneous theatre.
In a day or so, I'll wrangle all the Twitter and FB feeds and construct a play-by-play. But for now, I sleep. I will sleep the slumber of Odysseus and other wanderers in the realms of the impossible.
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